VP, Social Media at National Geographic. Adjunct professor at Georgetown. Exploring the intersections of culture, technology and human rights. Dare to follow.
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(me and my shoes and her)
THE ME & MY SHOES MANIFESTO (by Lance)
THE RULES OF ENGAGEMENT
The rules for this little social media extravaganza is that when you post your photo you...
YOUR TURN!
Peter Gabriel leads industry call for ban of music torture in US interrogation policy.
"We are, of course, against all forms of torture, but as musicians we are particularly concerned about the misuse of music ...."
zero dB is an online 'silent petition' aimed to stop music torture by encouraging widespread condemnation of the practice.
Highlights the subtlety of cultural norms. From EastSouthWestNorth blog:
Cadbury is an established brand of chocolate. Recently, it produced the Eyebrows television ads in order to create a new image and stimulate sales. The ad is simple enough -- there is no dialogue, just a couple of children who move their eyebrows to the electronic music. This ad has won many advertising awards overseas.
When the Cadbury eyebrows ad began showing in Hong Kong this month, at least 20 citizens filed complaints to the Television and Entertainment Authority in Hong Kong. The reason is that the ad may lead children into moving their eyebrows around in violation of proper manners. One complainant is a Hong Kong University masters student who said that the ad made people uneasy and the advertising agency should never have hired children as performers.
TVB also confirmed that they received three telephone complaints. TVB emphasized that all ads are screened by its internal review committee before airing in order to satisfy the relevant regulations.
I spoke to a housewife who said that this ad teaches improper things to children, at which point her son began to move his eyebrows around just like in the ad. Some netizens even felt more strongly: "I have no idea what this ad wants to achieve!" "I really don't like this ad!" There were even demands that the ad be pulled off the air; but there were also others who praised the ad for being funny, satisfying, attractive and creative.
TIME.com managing editor Josh Tyrangiel offers aspiring multimedia journalists advice on how to best tell a news story across the various Internet platforms.
Beloveds, now we know that we know nothing, now that our bright and shining star can slip away from our fingertips like a puff of summer wind.
Without notice, our dear love can escape our doting embrace. Sing our songs among the stars and walk our dances across the face of the moon.
In the instant that Michael is gone, we know nothing. No clocks can tell time. No oceans can rush our tides with the abrupt absence of our treasure.
Though we are many, each of us is achingly alone, piercingly alone.
Only when we confess our confusion can we remember that he was a gift to us and we did have him.
He came to us from the creator, trailing creativity in abundance.
Despite the anguish, his life was sheathed in mother love, family love, and survived and did more than that.
He thrived with passion and compassion, humor and style. We had him whether we know who he was or did not know, he was ours and we were his.
We had him, beautiful, delighting our eyes.
His hat, aslant over his brow, and took a pose on his toes for all of us.
And we laughed and stomped our feet for him.
We were enchanted with his passion because he held nothing. He gave us all he had been given.
Today in Tokyo, beneath the Eiffel Tower, in Ghana's Black Star Square.
In Johannesburg and Pittsburgh, in Birmingham, Alabama, and Birmingham, England
We are missing Michael.
But we do know we had him, and we are the world.